“Give your friendships the magic you would give a romance. Because they’re just as important. Actually, for us, they’re way more important.”
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“Everyone’s different inside their head.”
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“I wish I could be as subtle and beautiful. All I know how to do is scream.”
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Being clever was, after all, my primary source of self-esteem. I’m a very sad person, in all senses of the word, but at least I was going to get into university.”
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“You can’t tell whether people are gay by what they look like. And gay or straight aren’t the only two options.”
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“In the end, that was the problem with romance. It was so easy to romanticise romance because it was everywhere. It was in music and on TV and in filtered Instagram photos. It was in the air, crisp and alive with fresh possibility. It was in falling leaves, crumbling wooden doorways, scuffed cobblestones and fields of dandelions. It was in the touch of hands, scrawled letters, crumpled sheets and the golden hour. A soft yawn, early morning laugher, shoes lined up together dy the door. Eyes across a dance floor. I could see it all, all the time, all around, but when I got closer, I found nothing was there.”
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“As far as I’m concerned, I came out of the womb spouting cynicism and wishing for rain.”
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“Most adults see teenagers as confused kids who don’t understand much, while they’re the pillars of knowledge and experience and know exactly what is right at all times.
I think the truth is that everyone in the entire world is confused and nobody understands much of anything at all.”
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“There’s a time and a place for being normal. For most people, normal is their default setting. But for some, like you and me, normal is something we have to bring out, like putting on a suit for a posh dinner.”
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“You look like you’re having a midlife crisis.”
“It’s not a midlife crisis. It’s just a life crisis.”
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“Bedrooms are windows to the soul.”
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“Nobody is honest, nobody is real. You can’t trust anyone or anything. Emotions are humanity’s fatal disease. And we’re all dying.”
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“I’m platonically in love with you.”
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“There comes a point, though, when you can’t keep looking after other people any more. You have to start looking after yourself.”
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“Do you think that, if we were happy for our entire lives, we would die feeling like we’d missed out on something?”
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“Friends are automatically classed as ‘less important’ than romantic partners. I’d never questioned that. It was just the way the world was. I guess I’d always felt that friendship just couldn’t compete with what a partner offered, and that I’d never really experience real love until I found romance.
But if that had been true, I probably wouldn’t have felt like this.”
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“I’m excellent at faking being okay with things, even when inside my brain there is a tiny screaming gnome who is definitely not okay.”
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“Reasons why I should be your new grandma:
One – I’m great at making cookies
Two – I’m extremely wise
Three – if I had any money, I’d give you some”
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Born in Kent, England, in 1994, Alice Oseman is a celebrated author, illustrator, and screenwriter. Solitaire, Radio Silence, I Was Born for This, and Loveless are among the four YA current books she has written about youthful mishaps. She is the author of the LGBTQ+ young adult romance webcomic Heartstopper, which Hachette Children’s Group has recently printed in book form. She also wrote, created, and served as executive producer of the Heartstopper television adaptation, which is slated to debut on Netflix.
When Alice was nineteen, the first edition of her book Solitaire was released. For the YA Book Prize, the Inky Awards, the Carnegie Medal, and the Goodreads Choice Awards, her YA books have received nominations.